Tez Dosyaları 13
Parodic engagement with (neo) slave narratives: Bernardine Evaristo's Blonde Roots & Andrea Levy's The Long Song
The role of transcultural memory in the construction of identity in Caryl Phillips's fiction
The reconstruction of authorial identity in contemporary author fictions: A.S Byatt's Possession, David Lodge's Author, Author and Maggie Gee's Virginia Woolf in Manhattan
Tracing the evolution of ecofeminist theory in Prodigal Summer by Barbara Kingsolver and The Wolf Border by Sarah Hall
An ecofeminist perspective on space in Lolly Willowes or the Loving Huntsman by Sylvia Townsend Warner and Happiness by Aminatta Forna
From Postmodernism to Metamodernism: Changing Perspectives towards Irony and Metanarratives in Julian Barnes's A History of the World in 10 and ½ Chapters and The Noise of Time
Text, imagination and the construction of narrative universes in Ali Smith's short stories
Construction of narrative worlds in mimetic and anti-mimetic fiction: A critical reading of Possible Worlds Theory
The Deterritorialization of Home and Identity in Brian Chikwava's Harare North and Chris Cleave's The Other Hand
Focalization in verbal and graphic narratives: Jane Austen's Pride and Prejudice and its graphic novel adaptation
KAZUO ISHIGURO'S POSTMODERN HYPERTEXTS: GENERIC RE-CONFIGURATIONS IN THE REMAINS OF THE DAY, WHEN WE WERE ORPHANS, AND THE BURIED GIANT
Sebastian Barry's critical revisiting of women's representation in anti-colonial nationalist narratives: On Canaan's Side and the Secret Scripture
"It's the meat talking: ignore it": The Question of Posthuman Embodiment in William Gibson's Neuromancer and Kazuo Ishiguro's Never Let Me Go