Representations of social classes in arabesk films

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Tezin Türü: Yüksek Lisans

Tezin Yürütüldüğü Kurum: Orta Doğu Teknik Üniversitesi, İktisadi ve İdari Bilimler Fakültesi, Siyaset Bilimi ve Kamu Yönetimi Bölümü, Türkiye

Tezin Onay Tarihi: 2004

Öğrenci: ÖZGÜR AVCI

Danışman: NECMİ ERDOĞAN

Özet:

This thesis is an attempt to analyze the narrative structure of arabesk films which were made in the 1970s and the 1980s. Based on the idea that it is the poor/rich dichotomy which is foregrounded as the primary paradigm in arabesk films, this study tries to show how socio-cultural hierarchies are encoded in these films and how their narrative structure motivates the audience to perceive the films from a class perspective. On the basis of a generic background regarding melodramatic texts as well as a historical background as regards how the Turkish melodramas developed in relation to the modernization process in Turkey, this thesis focuses on syntagmatic and paradigmatic structures of arabesk films and offers that these films are primarily, if not exclusively, nourished by and address to a class-based ءaffect̕ (hissiyât).