The role of symbolic presentation in Kant's theory of taste

Rueger A., Evren S.

BRITISH JOURNAL OF AESTHETICS, cilt.45, sa.3, ss.229-247, 2005 (AHCI) identifier identifier

  • Yayın Türü: Makale / Tam Makale
  • Cilt numarası: 45 Sayı: 3
  • Basım Tarihi: 2005
  • Doi Numarası: 10.1093/aesthj/ayi035
  • Dergi Adı: BRITISH JOURNAL OF AESTHETICS
  • Derginin Tarandığı İndeksler: Arts and Humanities Citation Index (AHCI), Scopus
  • Sayfa Sayıları: ss.229-247
  • Orta Doğu Teknik Üniversitesi Adresli: Hayır

Özet

Beauty, or at least natural beauty, is famously a symbol of the morally good in Kant's theory of taste. Natural beauty is also, we argue, a symbol of the systematicity of nature. This symbolic connection of beauty and systematicity in nature sheds light on the relation between the principles underlying the use of reflecting judgement. The connection also motivates a more general interpretive proposal: the fact that the imagination can symbolize ideas plays a crucial role in the theory of taste; it is the mechanism that underlies pure judgements of taste, the operation by which the imagination 'schematizes without a concept'.